These film stills are copyright by Monterey Home Video. They are reproduced here in conjunction with the course website for ENLT 255: Special Collections, an undergraduate seminar held at the University of Virginia in the fall semester of 2005. Their reproduction is made possible by the fair use provisions of 17 U.S.C. 107, which limit the exclusive rights of copyright holders. For more on the fair use of film stills, see Kristin Thompson's "Report of the Ad Hoc Committee of the Society For Cinema Studies: 'Fair Usage Publication of Film Stills'" in Cinema Journal 32.2 (Winter 1993): 3-20. Katherine Anne Porter's "Noon Wine" was adapted as a made-for-TV movie twice in two decades: first, in 1966, by Sam Peckinpah, and then in 1985 by Michael Fields. What accounts for its salience on the small screen? How do the two versions compare in their treatments of the story?