Charlie Chaplin
Modern Times
(1936)
ENLT 224   |   From Stage to Screen

University of Virginia   |   Department of English   |   Jim Cocola
2008 Spring   |   TR 18.30-19.45   |   Clemons 322A

Description

Until quite recently, those who studied drama studied the stage. But with the advent of motion pictures the dramatic arts assumed an added dimension, even as most audiences lost a dimension in shifting their attention from the three-dimensional performance to the two-dimensional projection. While the theater remains a vibrant presence today, modern and contemporary drama is as much an affair of the cinema as of the playhouse. To chart this transition we shall study the dramatic arts in three acts, ranging from stage to screen, with a brief interval dedicated to filmic adaptations of stage plays.

Our methodology will be decidedly historical, with close attention given to the aesthetic, cultural, geographical, material and political forces shaping our chosen authors and our chosen texts. We will cover some basic principles in drama theory and film theory, while also attending to a variety of critical keywords and research methods of general relevance to the English major. Beyond active participation in weekly discussions, seminar members will be responsible for two essays, a collective web presence, and shorter writing assignments including proposals and reviews. At semester's end there will be an essay-based final exam.

Please note: This class will hold screenings on numerous Tuesday evenings between 18.30 and 22.00. Regular attendance at these events is encouraged, though you are also welcome to watch the films in question through Clemons reserves per your own arrangements.


Collab Course Site

Most of our work this semester will be run through a Collab Course Site, which will be limited to the members of the seminar.


Weekly Schedule

01.1 :: R 01.17

Course Overview


Unit 1 : Stage

Staging 1 :: F 01.18, 7.30 pm; Sa 01.19, 2 pm & 7.30 pm, Su 01.20, 2 pm, or R 01.24, 10.30 am

Macbeth @ Blackfriars Playhouse, Staunton, VA

02.1 :: T 01.22 :: Screenings 1 and 2

Orson Welles, Macbeth (1948)

Akira Kurosawa, Throne of Blood (1957)


02.2 :: R 01.24

William Shakespeare, The Tragedy of Macbeth (1603?)


Staging 2 :: F 01.25, 7.30 pm; Sa 01.26, 7.30 pm, or Su 01.27, 2 pm

Volpone @ Blackfriars Playhouse, Staunton, VA

03.1 :: T 01.29

Ben Jonson, Volpone; Or, the Fox (1606)


03.2 :: R 01.31

York Mystery Plays (c. 14th-16th c.)

Readings in Drama Theory TBD


04.1 :: T 02.05

Clifford Odets, Waiting for Lefty (1935)


04.2 :: R 02.07

Bertolt Brecht, The Good Woman of Setzuan (1943)


05.1 :: T 02.12

Tom Stoppard, The Real Inspector Hound (1968)


05.2 :: R 02.14

Margaret Edson, Wit (1999)


Staging 3 :: F 02.15, 8 pm; Sa 02.16, 8 pm

The Goat, or, Who is Sylvia? @ Live Arts, Charlottesville, VA

06.1 :: T 02.19

Edward Albee, The Goat, or, Who is Sylvia? (2002)


Unit 2 : Stage/Screen

06.2 :: R 02.21

Early Short Films TBD

Readings in Film Theory TBD


07.1 :: T 02.26 :: Screenings 3 and 4 :: ROOM CHANGE :: CLEMONS 322B

Ernst Lubitsch, Lady Windermere's Fan (1925)

Peter Brook, The Beggar's Opera (1953)


07.2 :: R 02.28

John Gay, The Beggar's Opera (1728)

Oscar Wilde, Lady Windermere's Fan: A Play About a Good Woman (1892)


Spring Break

08.1 :: T 03.11 :: Screenings 5 and 6

Anthony Asquith, Pygmalion (1938)

George Cukor, Born Yesterday (1950)


08.2 :: R 03.13

George Bernard Shaw, Pygmalion (1913)

Garson Kanin, Born Yesterday (1946)


09.1 :: T 03.18 :: Screenings 7 and 8

David Mamet, Glengarry Glen Ross (1992)

Moisés Kaufman, The Laramie Project (2002)


09.2 :: R 03.20

David Mamet, Glengarry Glen Ross (1984)

Moisés Kaufman, The Laramie Project (2000)


Essay 1 Due F 03.21

Unit 3 : Screen

Module 3A : Silent Film

10.1 :: T 03.25 :: Screenings 9 and 10

King Vidor, The Crowd (1928)

Charlie Chaplin, Modern Times (1936)


10.2 :: R 03.27

Discussion of The Crowd and Modern Times


Module 3B : Sound Film : Romantic Comedy / Drama

11.1 :: T 04.01 :: Screenings 11 and 12

George Cukor, The Philadelphia Story (1940)

François Truffaut, Jules and Jim (1962)


11.2 :: R 04.03

Discussion of The Philadelphia Story and Jules and Jim


Module 3C : Westerns

12.1 :: T 04.08 :: Screenings 13 and 14

John Ford, Stagecoach (1939)

Sergio Corbucci, The Great Silence (1969)


12.2 :: R 04.10

Discussion of Stagecoach and The Great Silence


Module 3D : Crime / Horror / Mystery / Noir / Thriller

13.1 :: T 04.15 :: Screenings 15 and 16

Alfred Hitchcock, Vertigo (1958)

David Lynch, Eraserhead (1977)


13.2 :: R 04.17

Discussion of Vertigo and Eraserhead


Module 3E : Documentary Film

14.1 :: T 04.22 :: Screenings 17 and 18

Frederick Wiseman, High School (1968)

Albert and David Maysles, Gimme Shelter (1970)


14.2 :: R 04.24

Discussion of High School and Gimme Shelter


Module 3F : Post-Video

M 04.28 :: Screenings 19 and 20

Thomas Vinterberg, The Celebration (1998)

Gus Van Sant, Elephant (2003)


15.1 :: T 04.29

Discussion of The Celebration and Elephant


Essay 2 Due R 05.01

Final Exam TBD




Last Modified By Jim Cocola 2008.01.17 14.15